0
Skip to Content
Postscript Magazine
about
mission
our team
categories
arts & culture
fiction
multimedia
poetry
visual arts
artist spotlight
columns
programs
VICE 2021
submit
past issues
patrons
Postscript Magazine
about
mission
our team
categories
arts & culture
fiction
multimedia
poetry
visual arts
artist spotlight
columns
programs
VICE 2021
submit
past issues
patrons
Folder: about
Back
mission
our team
Folder: categories
Back
arts & culture
fiction
multimedia
poetry
visual arts
artist spotlight
columns
Folder: programs
Back
VICE 2021
submit
past issues
patrons
Offscreen: Evading Whiteness in ‘Spring Breakers’
Issue 38 - Gulf Ben Lewelynn-Taylor 4/10/21 Issue 38 - Gulf Ben Lewelynn-Taylor 4/10/21

Offscreen: Evading Whiteness in ‘Spring Breakers’

New in our b-roll column, writer Ben Lewelynn-Taylor takes a closer look at the 2012 film Spring Breakers, analyzing its undertones of racism through the lens of the current political climate

Read More
Okuribito: A Dignified Portrayal of the Beautiful Dead
Issue 34 - Care Garreth Chan 12/7/20 Issue 34 - Care Garreth Chan 12/7/20

Okuribito: A Dignified Portrayal of the Beautiful Dead

How do we care for the dead? Garreth Chan explores the intersections of beauty, mundanity, death, and family through his exploration of the film Okuribito and its soundtrack

Read More
“Nobody Knows”: Childhood on the Margins
Issue 31 - Childhood Jasmine Li 9/7/20 Issue 31 - Childhood Jasmine Li 9/7/20

“Nobody Knows”: Childhood on the Margins

Jasmine Li unpacks the 2004 Japanese film “Nobody Knows” as a case for society's responsibilities towards marginalized children

Read More
Sorry to Bother You: Reflecting on Modern Capitalism and Satirical Black Cinema
Issue 30 - Labor Vamika Sinha 8/4/20 Issue 30 - Labor Vamika Sinha 8/4/20

Sorry to Bother You: Reflecting on Modern Capitalism and Satirical Black Cinema

As part of our new "b-roll" film column, Vamika Sinha revisits Boots Riley's Afro-surrealist Sorry to Bother You, and why it offers important commentary on the intersections of race and late-stage capitalism in 2020.

Read More
Fighting for Scraps: Class Relations and Murder in 'Parasite'
Issue 30 - Labor Toby Le 8/4/20 Issue 30 - Labor Toby Le 8/4/20

Fighting for Scraps: Class Relations and Murder in 'Parasite'

Kicking off our new film column "b-roll", Toby Le reviews Bong Joon Ho's Parasite through the lens of a pivotal murder sequence.

Read More
Who is Madeline's Madeline?
Issue 15 - Gender chaimihai 11/5/18 Issue 15 - Gender chaimihai 11/5/18

Who is Madeline's Madeline?

A review of Josephine Decker’s film Madeline’s Madeline by Lillian Snortland.

Read More

Join our mailing list.

For a curated Postscript experience.

We respect your privacy.

Thank you!
Become a Patron

Postscript Magazine © All Rights Reserved 2020