
कहीं एक मौसम (Kahin Ek Mausam) | Somewhere A Season
The short film 'कहीं एक मौसम' (Somewhere A Season), directed by Harsh Hudda, is about लय (the rhythm) of change within the continuity of life in a distant forest and the lingering of the past in the present

Tea with Lemon
TEA WITH LEMON (dir. Robert Harrison) is a quirky indie comedy film about a clueless poet/café regular who attempts to charm a waitress by learning her mother tongue. But she is too preoccupied by her failing marriage to notice his futile efforts

Forbidden to See Us Scream in Tehran: A Poignant Reflection on Women’s Voices in Iran
New in our b-roll column, Bangalore-based writer Neetha Kurup reviews Iranian director Farbod Ardebili’s new short film, which comments on the heavy metal scene, feminism, voicelessness, and disability within Tehran

Fighting for Scraps: Class Relations and Murder in 'Parasite'
Kicking off our new film column "b-roll", Toby Le reviews Bong Joon Ho's Parasite through the lens of a pivotal murder sequence.

Who is Madeline's Madeline?
A review of Josephine Decker’s film Madeline’s Madeline by Lillian Snortland.

Dismantling Detroit: Boots Riley's Sorry to Bother You
Exploring the eccentric, complex character of Detroit in Boots Riley’s film Sorry to Bother You.

The Seventh Art, a Song to Cinema
A cinematic new poem by Ruobing Sabrina Zhao.

Onions
A woman’s life is taken over by a camera. New in fiction, a Foucauldian romance.

movie
Inspired by the Tom Misch song “Movie”, a love poem by Vamika Sinha.

Taking the RER B
In this new creative nonfiction piece, Vamika Sinha offers a series of vivid vignettes, each set at a different metro station in Paris.

On Interracial Relationships, The Sunken Place and Middle-Class Whiteness
“I started noticing all the times when my Dad and siblings were the only people of colour in a social group.” — Zoe Jane Patterson weaves personal experience with an analysis of Jordan Peele’s film Get Out to talk about race.