
Sorry to Bother You: Reflecting on Modern Capitalism and Satirical Black Cinema
As part of our new "b-roll" film column, Vamika Sinha revisits Boots Riley's Afro-surrealist Sorry to Bother You, and why it offers important commentary on the intersections of race and late-stage capitalism in 2020.

On Interracial Relationships, The Sunken Place and Middle-Class Whiteness
“I started noticing all the times when my Dad and siblings were the only people of colour in a social group.” — Zoe Jane Patterson weaves personal experience with an analysis of Jordan Peele’s film Get Out to talk about race.