As an Iranian female artist based in Arkansas, Rajabi’s work revolves around the desire to reconcile her relationship with two distinctive spaces: Tehran (her native land) and Arkansas (where she resides now). In her paintings and installations, she re-creates intimate moments torn from her home and neighborhood in Iran. Because she is far away from her homeland and not allowed to return without being trapped in Iran, Rajabi can feel her memories of home fading away. She uses memories and images that have been rendered unrecognizable by the passage of time and turns them into shapes that allude to her homeland. Consequently, aspects of everyday life such as architecture, furniture, gardens, or a specific time of a day become the basis for her work. Her desire is to create a situation where the viewer looks at abstract paintings or installations and feels a familiarity, but can’t quite place what it is or why they sense a kinship. By creating this kind of scenario, she can show that regardless of nationality, religion, or gender there are commonalities for all individuals – that in a way, the masks of identities we wear may look different but are made of the same things.
Ziba Rajabi (b.1988, Tehran, Iran) received her MFA from the University of Arkansas, Fayetteville, and her BFA from Sooreh University, Tehran. She is the recipient of the student artist grant for the Artist 360 Grant, a program sponsored by Mid-America Arts Alliance. Her work has been included in a number of exhibitions, nationally and internationally, such as Masur Museum, LA; CICA Museum, South Korea; Aran Gallery, Iran; Art Fileds, SC; Pensacola Museum, Florida; Site:Brooklyn, NY; Amos Eno Gallery,NY; Millersville University, Indiana University, and Mim Gallery, Los Angeles. Find more of her work here.